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Joaquin Jara

Barcelona, 1977

Joaquin Jara is a multidisciplinary artist. All of his aspects, from interventions in natural and urban environments to painting, sculpture, and experimental movies, converge on a common objective.

The portrait is displayed as an object subject to internal and external forces, those of the environment, which generate constant changes. Therefore, it will be a representation of the subject processes. An instant inside a sequence of images in continuous transformation. An image saved, which does not illustrate identity, but testifies it. An image without a possible conclusion, as it resides on instability.

1. Golem /05 - / wood, ceramic, rope, 1,23 cm x 30 cm x 25 cm. 2013. ( detail)

2. yawn / scale 1: 1 / ceramic, rope, brass / Barcelona, 2012.

3. Blank head- / enamelling ceramic, rope,16 cm x 13 cm x 20 cm. 2013.heat/ scale 1:1 / cement, root / Barcelona, 2008.

4.Pulse - /ceramic, bronce rust, 22 cm x 13 cm x 27 cm. 2013

5.vertical construction,  Intervention start: 28th August 2010.

6..heat/ scale 1:1 / cement, root / Barcelona, 2008.

7. bostezo / scale 1:1 / ceramic, brass / Barcelona, 2012.

8. bust/ scale 1:1 / plaster, root / Barcelona, 2008.

2013.

9. yawn / scale 1: 1 / ceramic, rope, brass / Barcelona, 2012.

10. Sculpture designed covering an alive tree with the artist Rosa Rodríguez

(Sabadell, Spain, 1977)
“Silk”, 2013.
Glazed ceramics, silk, iron

thelordofhats:

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Freeing the slave was nice, but wouldn’t be that huge of a thing.

Smashing the cups, though? I’m just imagining that Augustus was just walking along one day and saw the slave-owner trying to kill his slave, so he just goes over, tells the slave ‘yo, you’re free’, and then, never breaking his gaze from the slaveowner, casually sweeps all the other cups off the shelf too.

It’s just such a wonderful little ‘fuck you’.

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